My name is Paulina and I am a self-taught handweaver currently participating in the Erasmus for Young Entrepreneurs programme. My practice developed mainly through experimentation, observation, and continuous personal research. I learned weaving independently, driven by curiosity about materials, structures, and traditional textile techniques. Over time, weaving became not only a craft for me but also a way to explore artistic expression and develop a business.
Handweaving is at the centre of my work. I am fascinated by the way threads can create complex structures, textures, and rhythms. Through weaving I explore the relationship between material, process, and form. My interests focus mainly on textile art, craftsmanship, and material experimentation. I am particularly interested in how textile techniques can move beyond flat surfaces and interact with space, sometimes approaching sculptural forms. Because of this, I am also very curious about the dialogue between textile art and other disciplines such as sculpture and installation.
At the same time, I am increasingly interested in the entrepreneurial aspect of creative practice. As a craftsperson, developing a sustainable professional activity requires not only artistic skills but also the ability to organise projects, present work, connect with audiences, and collaborate with other artists or institutions. I want to better understand how creative professionals structure their work, manage their studios, and transform artistic ideas into real projects and opportunities.
I decided to participate in the Erasmus for Young Entrepreneurs programme mainly out of curiosity and a desire to broaden my professional perspective. The possibility of learning directly from an experienced artist in a different country was very inspiring for me. I was also motivated by the opportunity to experience a new cultural environment and exchange knowledge and ideas through daily collaboration.
During this programme I have the opportunity to work with the sculptor Roger Coll. His approach to form, structure, and material is very interesting to me because it connects with many aspects of textile thinking. Observing his creative process and professional organisation helps me understand how artistic work can be developed and sustained over time.
I believe this experience can contribute greatly to both my human and professional growth. It allows me to gain practical insight into the daily work of an established artist while also reflecting on my own practice. At the same time, living and working in a new context encourages openness, adaptability, and confidence in developing my own path as a craft-based creative entrepreneur.